Dolby Atmos Mix Stage — Calibrated theatrical mixing environment with Avid S6 console, 7.1.4 Dolby Atmos monitoring, and full Pro Tools HDX system. Used for feature films, series, and high-end documentary final mixes.
Mix Stage — Client Seating — Comfortable producer/director seating behind the mix position. Clients can monitor in real time during final mix sessions with clear sightlines to the screen and console.
Control A — Primary voiceover recording suite with video sync for picture-locked playback and direct line-of-sight to Booth A. Spacious, quiet, and comfortable — a favorite with talent and directors.
Booth A — Acoustically treated recording booth paired with Control A. Primarily used for voiceover sessions. Spacious, quiet, and comfortable with music stand, headphone amp, and talkback.
Control B — Dedicated mix, editorial, and music composition suite. Stereo monitoring, Pro Tools HDX, and full sound editorial toolkit. Handles dialogue editing, stereo mixes, music production, and broadcast deliverables.
Booth B — The largest recording booth in the facility, paired with Control B. Sized for loop group, ensemble sessions, and complex multi-performer setups in addition to standard voiceover and narration work.
Control C — Third editorial and mixing suite. Handles overflow sessions, dialogue editing, and independent mixing workflows. Paired with Booth C for ADR recording.
Booth C — ADR-focused recording booth paired with Control C. Configured for sync-critical dialogue replacement with video monitor, cue light, and headphone mix.
Control D — Where most audiobooks are recorded, but also a fully capable voiceover suite with complete connectivity. Optimized for long-form narration workflows with comfortable monitoring, punch-and-roll editing, and QC toolchain built into the session template.
Booth D — Audiobook narration booth paired with Control D. Whisper-quiet environment with ergonomic narrator setup — adjustable music stand, studio chair, and low-reflection surfaces for clean, consistent recordings.
Dallas Audio Post operates five paired control rooms and recording spaces — designed by Francis Manzella of FM Design Group — covering theatrical mixing, voiceover, ADR, audiobook narration, and music composition. Each room is calibrated for its workflow and configured for picture-locked playback when needed.
Calibrated theatrical mixing environment with an Avid S6 console, 7.1.4 Dolby Atmos monitoring, and a full Pro Tools HDX system. Used for feature films, episodic series, and high-end documentary final mixes.
Comfortable producer/director seating sits behind the mix position with clear sightlines to the screen and console, so clients can monitor in real time during final mix sessions. See related services: Mixing, Audio Mixing, and Sound Design.
Control A is our primary voiceover recording suite, with video sync for picture-locked playback and a direct line-of-sight to Booth A. Spacious, quiet, and comfortable — a favorite with talent and directors.
Booth A is acoustically treated and paired directly with Control A. Used primarily for voiceover and commercial voiceover sessions, it includes a music stand, headphone amp, and talkback. Pair it with Remote Session Engineering for directed sessions from anywhere.
Control B is a dedicated mix, editorial, and music composition suite with stereo monitoring, Pro Tools HDX, and a full sound editorial toolkit. Handles dialogue editing, stereo mixes, music production, and broadcast deliverables.
Booth B is the largest recording booth in the facility — paired with Control B and sized for loop group, ensemble sessions, and complex multi-performer setups in addition to standard corporate narration and voiceover work.
Control C is our third editorial and mixing suite, handling overflow sessions, dialogue editing, and independent mixing workflows alongside Control B.
Booth C is the ADR-focused recording booth — paired with Control C and configured for sync-critical dialogue replacement with video monitor, cue light, and headphone mix. The room handles ADR recording for television and film projects.
Control D is where most audiobooks are recorded — a fully capable voiceover suite with complete connectivity, optimized for long-form narration workflows. Comfortable monitoring, punch-and-roll editing, and a QC toolchain are built into the session template.
Booth D is the audiobook narration booth — whisper-quiet, with an ergonomic narrator setup including adjustable music stand, studio chair, and low-reflection surfaces for clean, consistent recordings. Also used for audiobook production finishing work.
Schedule a tour or book a session. We'd love to show you around.
Call or text 214-350-7678 · info@dallasaudiopost.com