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Collaborating on a highly produced podcast
One of the most interesting and gratifying projects to enter our doors in 2019 was the Destination Nature podcast by
René Coronado
May 18, 2020
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One of the most interesting and gratifying projects to enter our doors in 2019 was the Destination Nature podcast by
The spread of Covid-19 is on our minds and in the news. I want to reassure you that Dallas Audio
The Gig: Setting up and commanding a remote multitrack protools session for artist Rebecca Folsom coming to town to work
Client: 900 Lbs of Creative – 2016 Custom Score – Music Production – Final Mix
When the NHL announced the Dallas Stars would be hosting the 2020 Winter Classic outdoor game at the end
Client: Andrew Stevens productions – 2009 Full audio post package – SFX editorial – Foley – ADR – Theatrical mix
Client: Andrew Stevens productions – 2010 Full audio post package – SFX editorial – Foley – ADR – 5.1 Broadcast
It has long been clear that immersive audio is upon us with regards to sound design and mixing. After noting
Client: Nametag Films – 2019 The DCCD Education That Works ad campaign had high audio requirements and a tight turnaround. Produced in
Client: Groove Jones – 2019 Voice production – Ambisonics field recording – Sound design – Final VR mix
Remote mix approvals with source-live We’re happy to announce that we’ve added the ability to do high quality remote audio
Client: Texas Crew Productions – 2019 Full broadcast mix of entire series – Full deliverables turnover to Oxygen networkView full
by René Coronado During the playoffs, its common to get a television tease package to promote the start of
At Dallas Audio Post, data security has always been important to us, and our decades-long track record of protecting the
Custom ad campaign music arranged by Bradley Morgan Dale, composed by Hanan Townshendvoiceover – final broadcast mix
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