Collaborating on a highly produced podcast
One of the most interesting and gratifying projects to enter our doors in 2019 was the Destination Nature podcast by
One of the most interesting and gratifying projects to enter our doors in 2019 was the Destination Nature podcast by
The spread of Covid-19 is on our minds and in the news. I want to reassure you that Dallas Audio
The Gig: Setting up and commanding a remote multitrack protools session for artist Rebecca Folsom coming to town to work
Client: 900 Lbs of Creative – 2016 Custom Score – Music Production – Final Mix
When the NHL announced the Dallas Stars would be hosting the 2020 Winter Classic outdoor game at the end
Client: Andrew Stevens productions – 2009 Full audio post package – SFX editorial – Foley – ADR – Theatrical mix
Client: Andrew Stevens productions – 2010 Full audio post package – SFX editorial – Foley – ADR – 5.1 Broadcast
It has long been clear that immersive audio is upon us with regards to sound design and mixing. After noting
Client: Nametag Films – 2019 The DCCD Education That Works ad campaign had high audio requirements and a tight turnaround. Produced in
Client: Groove Jones – 2019 Voice production – Ambisonics field recording – Sound design – Final VR mix
Remote mix approvals with source-live We’re happy to announce that we’ve added the ability to do high quality remote audio
Client: Texas Crew Productions – 2019 Full broadcast mix of entire series – Full deliverables turnover to Oxygen networkView full
by René Coronado During the playoffs, its common to get a television tease package to promote the start of
At Dallas Audio Post, data security has always been important to us, and our decades-long track record of protecting the
Custom ad campaign music arranged by Bradley Morgan Dale, composed by Hanan Townshendvoiceover – final broadcast mix
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